Madonna

Gus Van Sant
Marcus Piggott, Mert Alas

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GUS VAN SANT: Hey, Madonna.

MADONNA: Gus, is that you?

VAN SANT: Yes. I'm at my house in L.A., just reading the paper.

MADONNA: Are you living in L.A. now?

VAN SANT: I still live in Portland [Oregon], but I have a place in L.A., and I'm starting to work on this film down here.

MADONNA: You're always working on a film.

VAN SANT: Usually.

MADONNA: But that's what you do.

VAN SANT: It's my habit. [laughs] I heard you're going to Africa.

MADONNA: Yeah. I go to Malawi twice a year. It's where two of my children were adopted from, and I have a lot of projects there that I go and check up on and children who I look after. It's sort of a commitment that I've made to this country and the hundreds of thousands of children there who have been orphaned by AIDS. I made a documentary about it [I Am Because We Are, 2008], and it's just become part of my life. I'm going to meet with Jeffrey Sachs [the economist]. I'm sure you've heard of him. He's starting a global education initiative, and I'm going to be his Girl Friday, so to speak. We're going to hold a press conference to talk about the school for girls that I'm building in Malawi. It's kind of our way of making sure that every kid has a chance to have an education-more specifically girls, but boys as well. Girls, though, in a lot of developing countries don't have the opportunity to go to school, nor are they encouraged to go to school, so what we're doing is the beginning of a dream. But I'm going to Malawi for lots of reasons.

VAN SANT: You've done a lot of work with Jeffrey Sachs already, haven't you?

MADONNA: Yeah. We've been supporting each other for years now. I've worked on some Millennium Villages with him. We have two Millennium Village sites in Malawi, and they're both doing very well. He's an incredible human being.

VAN SANT: I've never met him, but I've heard he's very charismatic.

MADONNA: He's extremely charismatic. Very well-spoken and charming. He's one of the few people I know who talks the talk and also walks the walk. He thinks very big.

VAN SANT: What's the economic theory behind the Millennium Villages?

MADONNA: Well, his work is primarily focused on ending poverty, but you know, there are lots of ways to skin the cat. Millennium Villages are an experiment that he has tried all over the world. It costs a certain amount of money, and it takes a certain number of years for them to work, but he's got it down almost to a science, where for $1.5 million over a five-year period, you can make a series of interconnected villages self-sustainable through education and prepping and diversifying their crops and giving them agricultural tools and medicine and knowledge. Jeffrey has been really supportive of all the work I've done in Malawi. So, yeah, we'll be drinking a gin and tonic and swatting away the mosquitoes down there. By the way, Milk [2008] was such a brilliant film. I cried and cried. I loved it.

VAN SANT: Oh, great. Thanks.

MADONNA: Did you like working with my ex-husband? [laughs]

VAN SANT: I did. Sean [Penn] was amazing.

MADONNA: He is amazing.

VAN SANT: I haven't really caught up with Sean since he's been going to Haiti. I mean, it's incredible, what he's been doing.

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CalicoFilms

06/21/10 7:27pm

The interview is fantastic and the photos present a nod to her beginnings, her racy 90s period and an ever-evolving Madonna! They are brilliant. People who have gotten all up in arms over the iconography really need to let it go. The crucifix is a symbol of suffering that has been appropriated by more people than Madonna for their own version(s) of artistic expression. It's a symbol that defined her when she was just getting started, and she's using it in an ironic way in this photo spread. She's not slagging on Christianity, for Pete's sake. Even if she was, it's her prerogative, as we live in a country that still recognizes freedom of expression in art. If you feel she's "still doing the same old thing," then why are you looking? Go find something else that pleases your eye. For my money, I'm happy to have M's "crotch in my face" (although I don't see a bit of that in this pictorial). Loved her then, loved her now. I'll always be captivated by the words and i
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Robert Holt

06/17/10 12:46pm

I don’t understand why Madonna throughout her career has made such a disrespectful display of the cross of Christ. At best it is a cheap (and by now, worn) attempt at controversy. She likes the attention and she doesn’t care how she gets it. If she craves attention through controversy so much, can’t she find something to be controversial about without insulting Jesus? It’s like “The Di Vinci Code". Can’ t they come up with a murder mystery book and movie that isn’t disrespectful of Jesus? Madonna is showing herself to still be immature after all these years. She apparently does not know or care who Jesus is and the significance of His work on the cross. She does not know Him as Savior. I do not want to be in her shoes on that Day when she stands before Him. “But I say unto you, That every idle word that men shall speak, they shall give account thereof in the day of judgment” (Matt 12:36).
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oopsiedoop

06/12/10 10:07am

She's made a career of posing in her underwear and copying others. Speaking the truth isn't bashing. It's impossible to ignore someone who's had their crotch in our face for 30 years. Madonna fans are the stupidest people on earth. Sadly, there's a lot of those, and they've made her very rich.
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Magnolia

06/02/10 3:35am

Americans, you should be very proud of her. She is the busiest person all over the world but she has found the time to do really useful and the most important things on the Earth. So many people she has helped, so much money she has spent...Even when she was in Moscow a year ago, she looked as she was ready for everything - for Russian frosts, for the unpredictability of Russian public...And even after the consert she didn't look tired. I am amazed by her voice, her image, her inexhaustible energy.
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