Best in Flow
February 10, 2012
“My process begins with creating unstable and changing conditions on the canvas,” says Ryan Sullivan, the 28-year-old New York-based artist whose abstractions reveal just how much paint can do if left (mostly) to it’s own devices. Sullivan lays down a canvas and pours onto its surface successive layers of latex, oil, and enamel, all with various consistencies, formulas, and drying times, which converge and react chemically.