Interview

Woody Harrelson could so easily have remained the adorable goof behind America’s favorite bar forever. It’s hard to believe now, but for a while playing Woody Boyd on the sitcom Cheers seemed like the summit of Harrelson’s career. (Is there a quicker way for an actor to become typecast than to share a name with a character?) But the Texas-born yearling made quick work of landing choice film roles in Hollywood after the iconic Boston bar shut down operations in 1993. Harrelson went from starring in one of the most violent, experimental, and relentlessly criticized films of the 1990s (Oliver Stone’s Natural Born Killers, 1994) to starring in one of the most violent, experimental, and universally praised films of the 2000s (the Coen brothers’ No Country for Old Men, 2007), with an Oscar-nominated turn as Hustler magazine publisher Larry Flynt (in Milos Forman’s The People vs. Larry Flynt, 1996) in between. The 48-year-old Harrelson has had an unpredictable, brilliantly bipolar career that no one—let alone the actor himself—could have anticipated. A handful of his roles in new films are equally disparate: Harrelson plays a gratuitous, slapstick zombie-slayer in the satirical walking-dead comedy Zombieland; a loose-cannon doomsday prophet in the upcoming disaster epic 2012; and a casualty notification officer in the somber military drama The Messenger. It’s this last film, though, that Harrelson seems to have particularly treated as a labor of love. He talks to his friend and gambling partner Owen Wilson about The Messenger, as well as speeding, losing at poker, jumping out at roommates, and a number of other eccentricities he’s managed to pick up over the years.

OWEN WILSON: Hey, buddy.

WOODY HARRELSON: Hey.

WILSON: Where are you?

HARRELSON: I’m in the beloved state of Hawaii. Maui.

WILSON: Where?

HARRELSON: I’m at your house. [laughs] No, I’m up in my house.

WILSON: Sounds like you’ve had a good run of poker there. Last you said, you won three games in a row?

HARRELSON: Yeah, three times in a row. That never happens. But I’m also managing to pull the chute a little earlier and get the hell out before I give it all back and start writing chits.

WILSON: That’s always been the scouting report on you in poker: Not a lot of discipline. So I’m glad to see that you’re learning how to walk away.

HARRELSON: Yeah, I’ve got to look at your scouting report sometime.

WILSON: We’re probably the two worst players in that Maui poker game.

HARRELSON: It’s not that. We’re just the most trusting.

WILSON: We’re the most optimistic, the most hopeful.

HARRELSON: We believe in our own luck.

WILSON: It’s such a cast of characters that play in that Maui poker game. I remember our one friend saying it looked like the bar scene from Star Wars.

HARRELSON: Those guys are scoundrels, man. They sit there and pick you clean.

WILSON: I’m out in Malibu right now, and I was just thinking that you lived out here when you worked on Cheers, didn’t you?

HARRELSON: Yeah, I was out there until I was about 33.

WILSON: That seems like a long commute from here to Paramount Studios on Melrose.

HARRELSON: I never broke the 25-minute barrier, but I could always make it in under a half hour.

WILSON: Which is insane.

HARRELSON: Well, I had my motorcycle. I took the PCH [Pacific Coast Highway] to [Highway] 10 to Crenshaw [Boulevard], just trying to fight the traffic.

WILSON: Wow, that’s flying. When did you first come to L.A.?

HARRELSON: I came in around ’85.

Photo credit: Woody Harrelson in The Messenger. Photo: Niko Tavernise.