In the early 2000s, a young painter emerged on the New York art scene, known for his hauntingly seductive figure paintings of friends and family members, executed in bright, bold colors and often set against elaborate wallpaper motifs. Mathew Cerletty, who shows at Rivington Arms gallery in New York, could have remained his generation's premier portrait artist. But in the last few years the 28-year-old Wisconsin native went in a completely different direction, creating strangely confrontational sign and word pieces that range from bizarre koans like "The Feeling is Mutual" to "Diet Coke" logos. Turns out, the words are just as autobiographical.
BOLLEN: What about the random catchphrases, like your painting I Love Exercise?
CERLETTY: That's a long story. It's from when a friend and I got trapped in the subway tunnels in Boston. We were there after hours, and we got locked in the subway, and this strange homeless-looking guy let us out. He was really scary. And at one point he said, "I love exercise." It was sort of inspired, I thought. So I painted those words.
BOLLEN: What are you working on now?
CERLETTY: I'm doing a painting of roses. It's an endless painting. It's a pattern from a fabric I found by this company called Scalamandré-Jackie O was a big fan.
BOLLEN: You were brilliant at painting brocades in wallpapers, which is so specialized. But then you have a very quick and simple style of painting, like 1959 x-ed out.
CERLETTY: That was from a picture in The New York Times. There was a woman in a crowd holding that sign, and she was smiling. I downloaded it and then didn't look at it for a long time. But eventually I went back to it and wanted to make my own version of her sign. And I figured out that 1959 was the year [baseball's] Chicago White Sox won their last pennant [prior to 2005]. But what I thought was cool was the idea of protesting a year that already happened.
BOLLEN: Yeah, fuck 1959.