HONEY...I TWISTED THROUGH MORE DAMNED TRAFFIC TO GET HERE (1984). OIL ON CANVAS, 72 × 72". PRIVATE COLLECTION, SAN FRANCISCO.  

ED RUSCHA IN CULVER CITY, CA, JULY 2016. 

THE OLD TOOL & DIE BUILDING (2004). ACRYLIC AND COLORED PENCIL ON CANVAS, 52 1/8 × 116 1/8". WHITNEY MUSEUM OF AMERICAN ART, NEW YORK; GIFT OF THE AMERICAN CONTEMPORARY ART FOUNDATION, INC., LEONARD A. LAUDER, PRESIDENT.  

ADIOS (1969). COLOR LITHOGRAPH, 9 ¼ × 22". PUBLISHED BY TAMARIND LITHOGRAPHY WORKSHOP, L.A. FINE ARTS MUSEUMS OF SAN FRANCISCO; MUSEUM PURCHASE, MRS. PAUL L. WATTIS FUND.

COYOTE (1989). LITHOGRAPH, 36 × 27". PUBLISHED BY THE ARTIST. FINE ARTS MUSEUMS OF SAN FRANCISCO; MUSEUM PURCHASE, MRS. PAUL L. WATTIS FUND.

STANDARD STATION (1966). COLOR SCREENPRINT, 25 5/8 × 40". PUBLISHED BY AUDREY SABOL, VILLANOVA, PA. FINE ARTS MUSEUMS OF SAN FRANCISCO; MUSEUM PURCHASE, MRS. PAUL L. WATTIS FUND. 

A PARTICULAR KIND OF HEAVEN (1983). OIL ON CANVAS, 90 × 136 ½". FINE ARTS MUSEUMS OF SAN FRANCISCO; MUSEUM PURCHASE, MRS. PAUL L. WATTIS FUND.  

BACK OF HOLLYWOOD (1977). OIL ON CANVAS, 22 × 80". MUSEUM OF CONTEMPORARY ART, LYON, FRANCE.