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A Sorta Fairytale: Louis Malle's Black Moon
Few films evoke the dream state as convincingly as Louis Malle's Black Moon (1975). ARTICLE PUBLISHED: 06/28/11
Lost in Space: Tarkovsky's Solaris
An astro-psychologist named Kris Kelvin (Donatas Banionis) gets launched into outer space, only to find he's brought all his earthly problems with him. They are stunningly explored in Solaris (1972), Andrei Tarkovsky's meditative sci-fi classic. ARTICLE PUBLISHED: 05/23/11
More Psycho than Psycho: Clouzot's Diabolique
Directed by Henri-Georges Clouzot, Diabolique (1955) was the true first flexing of many of the techniques that Hitchcock implemented five years later, innovations without which we wouldn't have the scary movies we have today. ARTICLE PUBLISHED: 05/10/11
The Sound and the Fury: Blow Out is Back
From the very first shot—which opens on an absurdly crass horror movie that Jack is dubbing, Co Ed Frenzy, a masked killer's smooth Steadicam point of view capped by a botched and campy shower scream (an ongoing joke turned dark irony)—Blow Out continually indicates De Palma's resolve to compose each shot as if it were an idea. ARTICLE PUBLISHED: 04/27/11
The Respectful Medium: Ken Loach's Kes
Where society fails, filmmakers step in. This is one way to view Kes, Ken Loach's landmark film from 1970 about a working-class boy in northern England and the bird that gives him wings. ARTICLE PUBLISHED: 04/11/11
Cause and Effects: Le Cercle Rouge, Unbroken
The intricacy of this tale is not in the script but in the imagery, and the assistant director, Bernard Stora, is right on when he calls Le Cercle Rouge "pure mise-en-scene." ARTICLE PUBLISHED: 04/06/11
Peering Inside Andrea Arnold's Fish Tank
Set in and around an Essex council estate, Fish Tank follows Mia (Katie Jarvis), a troubled teenager who restlessly and often angrily teeters on the verge of childlike love and invention and adolescent loneliness and angst. ARTICLE PUBLISHED: 02/23/11
Double Vision: Krzysztof Kieslowski's Careful Classic
Krzysztof Kieslowski was concerned his films would be unknown outside Poland all his life. The Double Life of Véronique (1991) put an end to that. ARTICLE PUBLISHED: 01/31/11