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alex gartenfeld
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It’s hard to think of a young artist whose career has had an upward trajectory as steep as 31-year-old Frenchman Cyprien Gaillard. His early video works of quasi-socialist Western European housing tracts in ruins had all the lyricism of landscape painting and the biting youthful nihilism of street art. ARTICLE PUBLISHED: 01/05/12
For a show at New York’s PS1, 34-year-old Canadian Jeremy Shaw turned a white-walled room into an immersive video experience that felt to some like being at a rave on drugs. ARTICLE PUBLISHED: 01/05/12
With figures gnawed and slashed, blurred and speckled, Adrian Ghenie’s paintings involve the big ideas that transform men into larger-than-life emblems. Ghenie’s recent exhibition at Haunch of Venison in London featured humans wildly distorted and many with monkey features. ARTICLE PUBLISHED: 01/05/12
An anonymous man—or group—managed to hijack the airwaves of two different Chicago television stations and broadcast a makeshift version of the pre-CGITV personality and New Coke spokesperson Max Headroom (himself an image of a dystopian media-infiltrated future). ARTICLE PUBLISHED: 01/05/12
Thirty-year-old Oliver Laric calls himself a “facilitator.” That’s a rather selfless designation to describe the poetry of someone who allows interactions with art to happen by surprise. ARTICLE PUBLISHED: 01/05/12
Each time the artist Danh Vo sells a work through his gallery, the collector or institution is billed up to 100 euros, whereby they acquire a special handwritten letter. The project, 02.02.1861, [last letter of Saint Théophane Vénard to his father before he was decapitated] (2009– ), is a text in English translated to the French and copied out by Vo’s father, who speaks neither language. ARTICLE PUBLISHED: 01/05/12
Simon Fujiwara, 29, operates as an archeologist, private detective, and stunning dramatist of his personal life and family roots. ARTICLE PUBLISHED: 01/04/12