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Alexandria Symonds
10/19/2009 04:30 PM
The ironic thing about Saturday's The Art of Rebellion group show at la.venue in Chelsea is that, in practice, it's hard to make capital-A art and capital-R rebellion work together. (Especially when the whole affair is corporate-sponsored. Harley-Davidson, to be fair, is not exactly Coca-Cola, but still: not so rebellious!) The result, in this case at least, is a bunch of lowbrow artists milling about in nice clothes, chatting politely while a DJ plays remixes of The Doors at a perfectly respectable decibel level. (PHOTO CREDIT: BRENDON BOUZARD)
This was the second iteration of The Art of the Rebellion (the first was in Santa Monica in February, which showed Shepard Fairey's work the same day he was arrested), featuring ten artists best known for designing rock posters, each of whom painted a gas tank to benefit CUE Art Foundation. The interpretations of the theme ranged from the fairly predictable (Brian Ewing showed a beautifully detailed skull-and-hummingbird theme) to the rather impractical (artist Art Chantry blew holes in his tank and shone a red light inside, creating a cool jack-o-lantern effect that also rendered the tank totally unusable). At the preview Friday, we spoke to three of the artists.
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09/04/2009 12:43 PM

The only diary entry on Brooklyn noise-pop outfit Grooms' Myspace page is a playful one, titled "New Name...New Album...New Haircuts." (The haircuts part, it turns out, is a joke–bassist Emily Ambruso confides she hasn't cut her hair in over a year.) The entry starts out: "We were Muggabears, now we're Grooms. Is it a verb? Is it a noun? Not telling."
Grooms (née Muggabears) are, thankfully, more forthright in person than in writing. In anticipation of their Under the Tracks show at Highline Park tomorrow, we sat down for a chat at Death by Audio, the Williamsburg arts space where the band practices and records (Emily lives there, too, with a cat named Honeybeans).
ALEXANDRIA SYMONDS: What have you been doing today?
EMILY AMBRUSO: I had a mole removed!
AS: Yeah? From where? Is it sensitive?
EA: [Gestures to her ribs] It's numb. I don't even feel it.
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08/20/2009 02:02 PM

Photo by Bao Nguyen
There's an old philosophical dilemma called Theseus's paradox, which asks whether a ship is still the same ship if all its hardware is replaced piece by piece. The same could be asked of Ambulance LTD–in the near-decade since the band formed, all but one of its original members have departed to pursue other projects. (One of those projects, The Red Romance, actually boasts two Ambulance alums, so you could make the case that it's more like the old Ambulance than the current Ambulance is).
So it's mostly to the credit of frontman Marcus Congleton, the sole hanger-on, that the band performs so well these days–a lesser musician might get caught up in identity crisis and let it ruin his poise, but Congleton leads his newish fellow members confidently. During Tuesday night's show at the Mercury Lounge–sold out and stuffed to the gills with longtime fans–Congleton and co. handled the old material and the new (some of which was written with the Velvet Underground's John Cale) with equal aplomb.
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07/17/2009 08:04 AM
Change is on the horizon for Aviram Cohen, formerly of avant-jazz outfit Soiled Mattress and the Springs. For Cohen, this month brings a record release for Silk Flowers, his new band—which has a decidedly more delicate name than the last one—with Ethan Swan and Peter Schuette, along with a show at Cake Shop this Saturday that just happens to coincide with his 29th birthday. The new project is also a stylistic divergence for Cohen and Schuette, who also hails from Soiled Mattress—where Mattress’s focus was on the sax, Silk Flowers builds on electronic loops à la Philip Glass, along with Bauhaus-style distorted vocals.
“The show on Saturday is like a joining of different aspects of my life from the past to the present, which makes it sort of extraordinary,” Cohen notes. “The record we made is a meditation on the past and how to move forward from that. It will also mark the last year of my twenties. So, there is an element of reflection in all this for me but, also sense of anticipation for what's to come.” What’s to come is promising: Silk Flowers also has an upcoming show at SculptureCenter in Long Island City with Brendan Fowler’s spoken-word pop band BARR, and West Coast dates throughout August.
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07/15/2009 07:24 AM

The four French electro-poppers of Phoenix may not be the first rock stars to name-drop a classical influence—that honor, we think, goes to Chuck Berry, he of "Roll Over Beethoven." But they're arguably the most dedicated: to shoot the video for "Lisztomania," the first single from their rather impishly-titled fourth album, Wolfgang Amadeus Phoenix, the band made a pilgrimage to Franz Liszt's stomping grounds in Bayreuth, Germany.
You may have seen Phoenix perform "Lisztomania" on Saturday Night Live or Jimmy Kimmel, or you may have heard it at a dozen house parties in the last few months-with its peppy beat, clean guitar line, and comfortingly senseless lyrics, it's well on its way to becoming the official song of summer 2009. (And it's not even the best song on the album, necessarily: the slow, eerie buildup of "Love Like a Sunset," which clocks in at almost eight minutes long, is probably more rewarding.)
The term "Lisztomania," refers obscurely to the huge popular appeal of Liszt, who in his day played sold-out gigs to legions of screaming fans. Phoenix knows a thing or two about that-since May, they've been playing jam-packed shows all over the world on a massive tour that will continue through November. We caught up with lead singer Thomas Mars by e-mail, somewhere between two French festivals.
ALEXANDRIA SYMONDS: You wrote Wolfgang Amadeus Phoenix in New York-how was that different from the process of writing your other records?
THOMAS MARS: We started recording that album in NYC, but we did most of the work in Paris. We rented a hotel room in the Bowery Hotel for a few weeks-it is how Francois Truffaut wrote his movies, and we wanted to experience that.
AS: You're going pretty much non-stop through November. How has this tour been different from previous, smaller ones?
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