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Art
The Two-Headed Monster: Rankin-Hirst
Take two British masterminds, one fearless model, and lots of colorful prosthetics, and you've got something monstrous and beautiful. ARTICLE PUBLISHED: 10/05/11
The painter who defined abstraction for almost a century talks about inflating fake tanks to fool the Germans during World War II, finding himself ridiculed by Fernand Léger, working alongside his good buddy Agnes Martin, fearing the recourse of Republicans, being (perhaps) the first major modern artist to slip into architecture, and how the sighting of a bird may have led to one of the greatest careers in contemporary art. ARTICLE PUBLISHED: 10/05/11
Artist and former pro skateboarder Tony Cox turns his curatorial eye to New York's Fuse Gallery on Sept. 28 with "Will of the Way." ARTICLE PUBLISHED: 09/28/11
"It was in 1970 when one day Peter Beard, an old friend of mine who was tutoring the Kennedy children, called me and asked me if I would help Jackie get a movie camera for her children and give some lessons in filming," says Lithuanian-born writer, curator, and avant film pioneer Jonas Mekas of his first introduction to the famed family. ARTICLE PUBLISHED: 09/23/11
Peter Sutherland Is in the House
For over 10 years Peter Sutherland's studio has been the open road, which is where he's toted cameras and Ziploc bags full of film rolls. ARTICLE PUBLISHED: 09/19/11
King of the Road: Michael Stipe and Patti Smith's Journey
In 1995, Smith was just returning to the public eye, joining Bob Dylan on tour across the United States for her first public performances in over twenty years. ARTICLE PUBLISHED: 09/14/11
Wolfgang Tillmans the German photographer doesn’t need to take pictures of young revelers up to no good to create provocative work. In fact, sometimes he doesn’t even need a subject—or a camera. ARTICLE PUBLISHED: 09/12/11
This week, David Zwirner opened its doors to preview "Artists for Haiti," an upcoming benefit auction at Christie's sponsored by the dealer and Ben Stiller. ARTICLE PUBLISHED: 09/09/11
"I'm from Los Angeles, so I grew up in Hollywood, but was never a part of it," says 29-year-old installation artist and writer Alex Israel. "Because I've always been an outsider, I've always been interested in the magic of the movies—in the connection between how they manipulate us and how art can manipulate us." ARTICLE PUBLISHED: 09/09/11